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tascam200

DR-60DMKII

TASCAM’s DR-60DmkII, an update of the award winning DR-60D, is the audio recording solution for on-set filmmakers and videographers. The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera’s microphone in.

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Product Description

DR-60DMKII_banner

The Only Portable Recorders Designed for DSLR Filmmakers

TASCAM’s DR-60DmkII, an update of the award winning DR-60D, is the audio recording solution for on-set filmmakers and videographers. The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera’s microphone in.

DR-60DMKII_06The DR-60DmkII is the next generation of 4-track solid-state recording, based on TASCAM’s decades of recording innovation. The upgraded HDDA microphone preamps provide up to 64dB of gain, capturing every nuance of a performance. Up to four channels at a time can be recorded to the internal SD Card, at up to 96kHz/24-bit WAV file resolution. Two of the mic inputs utilize locking XLR connectors with 48V phantom power, the other two use an 1/8” stereo connector for wireless and lavaliere microphones.

A Camera Output sends the mic mix to the camera for later synchronization, and a Camera Input is provided for monitoring playback. An additional headphone out and line out assist the crew during filming. The DR-60DmkII is designed for low-noise operation, including soft touch buttons and dedicated gain controls.

Multiple recording modes are available on the DR-60DmkII. Four-Channel Mode records all four microphone inputs. Dual Recording is an alternate setting, capturing a copy of your audio at a lower level for a distortion-free safety track. Menus and operation are well laid out, owing to decades of innovative recording design.

Reach beyond the limited performance of your camera’s audio to capture the other half of your film. At a cost less than competing preamps, the TASCAM DR-60DmkII is the ultimate 4-track recorder designed for filmmakers, television, live events and web broadcast.

 


Features


 

Main Features

High-Quality HDDA Mic Preamps

High quality mic preamps are a necessity for high-grade sound. The DR-60D’s HDDA mic preamplifiers (High Definition Discrete Architecture) employ discrete circuitry and premium parts, approved after months of evaluation testing. The HDDA s circuit achieves an incredibly high EIN (-120dBu) for the lowest noise level available. The DR-60DmkII mic preamps have been upgraded for up to 64dB of gain with new XLR input jacks for greater cable compatibility.

A CIRRUS LOGIC’s AD converter (used also on the DR-40 portable recorder) is used to ensure detailed recording from any input signal.

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A Variety of Inputs and Outputs With Internal Mixing

The DR-60DmkII can record up to 4-tracks simultaneously, allowing multiple microphones to be used while filming. Inputs 1/L and 2/R can be selected for mono or stereo link operation.

DR-60DMKII_08Three sets of stereo outputs are provided. A Camera Out sends a reference track recording to the camera. The Line Out can feed a mixer or recorder. Finally, a powerful Headphone Out is available for direct monitoring. Each of these outputs has its own level control, and the Camera Out can be attenuated to microphone level without the need for an attenuating cable.

The DR-60DmkII has an internal digital mixer for all 4 tracks. Adjust pan and level, add a Limiter or Hipass Filter (40/80/120Hz), and set individual channel Delay from the user-friendly set-up. The DR-60DmkII is ready to use right out of the box with its external, non-menu-intensive controls.

 

DR-60DMKII_09Multiple Record Modes Meet Any Challenge On-Set

The DR-60DmkII includes several recording modes to adapt to any recording scenario:

MONO/DUAL MONO mode:Ideal for single source microphones, like using a shotgun together with a clip-on lavaliere mic
STEREO/DUAL STEREO mode:These modes are ideal for shooting with a stereo or mid-side microphone. A Mid-Side Decoder is built in, and can be added either during monitoring or before recording
4CH mode:This mode records all four microphone inputs to their own tracks.
DUAL MONO and DUAL STEREO mode:Records a back-up safety track in case levels are set too high and clipping occurs. The safety track can be set to record from -6dB to -12dB below the initial take. If an actor suddenly screams a line, you have a backup recording that isn’t distorted

 

 

Custom-designed for DLSR Shooters

DR-60DMKII_10Soft-Touch Controls

Every aspect of the DR-60DmkII is designed specifically for DSLR Audio for Video Recording. The keys of the unit are designed specifically for quiet operation to eliminate handling noise. The Slate feature is designed to mark tracks easily while in production. The input and output layout is designed for versatile use. Whether the device is used under a camera, on a rig or strapped around a solitary sound engineer, TASCAM’s DR-60D will meet all on-site audio production needs.

 

 

DR-60DMKII_11Dedicated Camera Output

The CAMERA OUT connector sends the mix from the DR-60DmkII to your camera. An adjustable level control is provided, as many DSLR cameras lack an input control. The camera audio gets a clean mix from the DR-60DmkII to assist syncing tracks in editorial.

Most modern editors – including Final Cut Pro X and Adobe Premiere – include a function to automatically synchronize audio recordings with camera clips. If your editing software lacks this feature, applications such as Red Giant PluralEyes can automate the process.

 

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Slate Tone Generator for Tighter Lock

The internal slate tone generator produces various tones for easy track making and recognition. Slate tones can be generated two ways:

Automatic:Tones are added to the head or the head and tail of each clip (from 0.5 – 3 sec)

Manual:Push the SLATE button to record a tone

 

 

 

 

Ch 3 & 4 Inputs Support High-Output Microphones

The channel 3/4 input connector supports a high-level maximum input – up to +10dBV. Many microphones designed for use with video cameras have a high-level output and a 3.5mm output connector. Plug-in power is also available for microphones that need it.

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Tripod Mounting on Top and Bottom

The DR-60D can be placed between a DSLR Camera and a tripod, or mounted to a cage or follow-focus rig. A tripod socket is on the bottom of the unit, and a (removable) tripod bracket is mounted on the top.

 

 

 

Lightweight Body Designed for Rugged Portability

The DR-60DmkII’s body was manufactured with very rigid plastic for a durable but lightweight design. TASCAM understands how important weight is to steady camera movement when filmmaking. In addition to its light weight, the feature-rich DR-60DmkII is extremely compact. Only 5.25″ wide, the DR-60DmkII won’t interfere with camera operation. All batteries can be replaced without removing the device from the Camera or tripod / rig.

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Remote Control Options

The REMOTE jack accepts either the TASCAM RC-3F footswitch-type remote control or TASCAM RC-10 wired remote control (both sold separately). They add the following control functions:

■RC-3F
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MODE FOOT SW
L C R
PLAY REW PLAY/STOP FWD
RECORD1 STOP REC/PAUSE INC
RECORD2 STOP REC/PAUSE MARK
RECORD3 STOP REC/PAUSE SLATE
REVIEW FLASH PLAY/STOP
(Play while pressed)
FWD

 

 

 

■RC-10

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Function buttons 
F1 F2 F3 F4
SLATE Backlight Always ON/
Backlight OFF
MonitorSelect
+
MonitorSelect

 

 

Features At A Glance

  • Record to SD/SDHC card (Up to 32GB)
  • Simultaneously record up to 4 tracks
  • Record Modes: MONO, STEREO, DUAL MONO, DUAL STEREO, 4-CHANNEL
  • Recording format: 44.1/48/96kHz, 16 or 24-bit,  WAV/BWF
  • TASCAM HDDA microphone preamps wth 120dB EIN and 64dB of gain
  • Recording levels can be adjusted independently for the 1/L, 2/R and 3-4 inputs
  • Two combo XLR/TRS inputs support +4dBu mic/line level input
  • Phantom power to channels 1/2 (24V or 48VDC on XLRF)
  • Plug-in power and high-output mic input supported on inputs 3-4
  • CAMERA OUT connector for output from the DR-60DmkII mixer (adjustable gain)
  • CAMERA IN connector for sound monitoring from the camera
  • Independent adjustable LINE OUT and HEADPHONE jacks for high-quality sound output
  • 50mW/ch headphone amplifier
  • Tripod mounting socket (bottom) and mounting screw attachment (top)
  • Handles protect the screen and can be used to attach a shoulder strap
  • Soft-Touch Rubber Keys for silent operation
  • HOLD switch to prevent accidental operation
  • QUICK button feature for easy access to various functions
  • 128×64 pixel LCD with backlight
  • USB 2.0 connection for high-speed transferring of files
  • Mini USB cable included
  • Operates on 4-AA batteries, an AC adapter (sold separately) or USB bus power
  • Can extend battery life with BP-6AA battery pack (sold separately)
  • Dedicated remote control jack for the wired RC-10 remote control or RC-3F footswitch (both sold separately)
  • Internal mixer: PAN and LEVEL controls
  • Low cut filter (40/80/120Hz)
  • Limiter (1/L and 2/R can be selected for linked operation)
  • Delay function for microphone distance adjustment (up to 150ms)
  • M-S decode functionSlate tone generator (AUTO/MANUAL)
  • Selectable duration of slate tone from four positions (0.5/1/2/3 sec, when auto-generated)
  • Selectable slate tone generation. (3 positions: OFF/HEAD/HEAD+TAIL, when auto-generated)
  • File naming format can be set to use a user-defined word or date
  • Dual-recording function allows two files to be recorded simultaneously at different levels
  • Auto-record function can automatically start and stop recording at set leve
  • lPre-recording function allows the unit to record a 2 second sound buffer before recording is activated
  • Self-timer function for solo recording
  • New file starts recording automatically without interruption when maximum file size is reached
  • Track incrementing function allows a recording to be split by creating a new file when desired
  • Jump back and play function
  • Equalizer function for playback, and level alignment function to enhance the perceived overall sound pressure
  • Resume function to memorize the playback position before the unit is turned off
  • MARK function up to 99 points per audio track
  • DIVIDE function

 


Tech Spechs


Recording DurationThe table below shows the maximum recording time on SD/SDHC cards of different capacities for different file formats for recording.

  • The recording times shown above are estimates. They might differ depending on the SD/SDHC card in use.
  • The recording times shown above are not continuous recording times, but rather they are the total possible recording times for the SD/SDHC card.
  • If recorded in mono in WAV files, the maximum recording time will be double the figures above.
  • For dual and 4-channel recording in WAV/BWF format, the recording times are about half those shown above.

DR-60DMKII Tested media List

Recording media SD card(64MB to 2GB), SDHC card(4GB to 32GB)
Recording format
WAV 44.1/48/96kHz, 16/24bit
BWF 44.1/48/96kHz, 16/24bit
Number of channels 4-channel (stereo x2)
Analog audio input
1/L, 2/R connectors
Connector XLR-3-31 (1:GND, 2:HOT, 3:COLD)/6.3mm(1/4″)TRS standard jack
Set to “MIC / MIC+PHANTOM”
Input impedance 2k ohms
Phantom power 48V +/-4V(10mA/CH) / 24V +/-4V(10mA/CH)
Maximum input level 0dBu
Minimum input level -72dBu
MIC input gain TRIM MAX
LOW +11dB
MID +36dB
HIGH +52dB
HIGH+PLUS +64dB
Set to “LINE”
Input impedance 10k ohms or more
Standard input level +4dBu
Maximum input level +24dBu
3-4 connector
Connector 3.5mm (1/8″) stereo mini jack (this connector can be supplied plug-in power)
Input impedance 10k ohms
Maximum input level +10dBV
Minimum input level -50dBV
MIC input gain TRIM MAX
LOW +3dB
HIGH +26dB
HI + PLUS +38dB
CAMERA IN connector
Connector 3.5mm (1/8″) stereo mini jack
Input impedance 10k ohms
Standard input level -10dBV
Maximum input level +6dBV
Analog audio output
CAMERA OUT connector
Connector 3.5mm (1/8″) stereo mini jack
Output impedance 200 ohms
Standard output level -50dBV
Maximum output level -30dBV
LINE OUT connector
Connector 3.5mm (1/8″) stereo mini jack
Output impedance 200 ohms
Standard output level -10dBV
Maximum output level +10dBV
PHONES connector
Connector 3.5mm (1/8″) stereo mini jack
Maximum output level 50mW + 50mW
USB
Connector Mini-B type
Format USB2.0 HIGH SPEED mass storage class
REMOTE
Connector 2.5mm TRS jack
Power Four AA batteries(Alkaline or NI-MH),
USB bus power,
Dedicated AC adapter(TASCAM PS-P515U, sold separately),
Dedicated external battery pack(TASCAM BP-6AA, sold separately)
Power consumption 5.4W
Continuous operation time 2ch WAV, 44.1kHz, 16bit rec
DR-60D
Alkaline batteries (EVOLTA) About 2:30 min (Phantom on)
About 4:30 min (Phantom off)
NI-MH batteries (eneloop) About 3:15 min (Phantom on)
About 5:00 min (Phantom off)
NI-MH batteries (eneloop pro) About 3:45 min (Phantom on)
About 6:00 min (Phantom off)
DR-60D+BP-6AA
Alkaline batteries (EVOLTA) About 5:30 min (Phantom on)
About 10:30 min (Phantom off)
NI-MH batteries (eneloop) About 7:30 min (Phantom on)
About 12:00 min (Phantom off)
NI-MH batteries (eneloop pro) About 9:30 min (Phantom on)
About 14:30 min (Phantom off)
Dimensions 133(W)×93.2(H)×78(D)mm (with the top adapter attached)
Weight 510g (not including batteries)
Operating temperature 0˚C to 40˚C
Standard accessories USB cable, warranty card, Owner’s manual
Computer compatibility
Windows
OS Windows XP, Windows Vista, Windows 7, Windows 8
CPU Pentium 300MHz or more
RAM 128MB or more
USB recommended: USB2.0
Macintosh
OS Mac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),
Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),
OS X Mountain Lion(V10.8)
CPU Power PC, iMac, G3, G4 266MHz or more
64MB or more
USB recommended: USB2.0
Audio performance
Frequency response 20-20kHz +0.5/-2dB(LINE IN or MIC IN to LINE OUT, Fs44.1k/48kHz, JEITA)
20-40kHz +0.5/-3dB(LINE IN or MIC IN to LINE OUT, Fs96kHz, JEITA)
Distortion 0.02% or less(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
S/N ratio 92dB or more(LINE IN or MIC IN to LINE OUT Fs44.1k/48k/96kHz, JEITA)
Equivalent input noise -120dBu or more
File format(recording setting) SD/SDHC card capacity(hours:mintes)
1GB 2GB 4GB 8GB
WAV/BWF 16bit(STEREO) 44.1kHz 1:41 3:22 6:44 13:28
48kHz 1:33 3:06 6:12 12:24
96kHz 0:46 1:33 3:06 6:12
WAV/BWF 24bit(STEREO) 44.1kHz 1:07 2:15 4:30 9:00
48kHz 1:02 2:04 4:08 8:16
96kHz 0:31 1:02 2:04 4:08
Last update:August 20, 2015
Maker Series Model Capacity Result
SanDisk SanDisk Extreme PRO®
SDHC™ UHS-I Memory Card (U3, Class10)
SDSDXPA-032G-JU3 32GB OK
SDSDXPA-016G-JU3 16GB OK
SanDisk Extreme®
SDHC™ UHS-I Memory Card (U3, Class10)
SDSDXL-032G-JU3 32GB OK
SanDisk®
SDHC™ Memory Card (CLASS4)
SDSDB-008G-J01 8GB OK
Maker Series Model Capacity Result
SanDisk SanDisk Extreme PRO®
SDHC™ UHS-II Memory Card
SDSDXPB-032G-J35 32GB OK
SDSDXPB-016G-J35 16GB OK
SanDisk Extreme PRO®
SDHC™ UHS-I Memory Card (Class10)
SDSDXPA-016G-J35N 16GB OK
SanDisk Extreme Pro®
SDHC™UHS-I Card (Class10)
SDSDXPA-032G-J35 32GB OK
SDSDXPA-016G-J35 16GB OK
SanDisk Extreme®
SDHC™ UHS-I Card (Class10)
SDSDXS-032G-J35 32GB OK
SDSDXS-016G-J35 16GB OK
SDSDXS-008G-J35 8GB OK
SanDisk Extreme ®
SDHC™ Card (Class10)
SDSDX3-008G-J31A 8GB OK
SanDisk Extreme ®
SDHC™ Card (Class6)
SDSDX3-4096-J21N 4GB OK
SanDisk Ultra® PLUS
SDHC™ UHS-I Memory Cards (Class10)
SDSDUP-016G-J35 16GB OK
SDSDUP-008G-J35 8GB OK
SanDisk Standard SDHC™ Card (Class4) SDSDB-4096-J95A 4GB OK
Lexar Lexar® Professional 600x
SDHC™UHS-I Card (Class10)
LSD32GCTBJP600 32GB OK
LSD16GCTBJP600 16GB OK
Lexar® Professional 400x
SDHC™UHS-I Card (Class10)
LSD32GCTBJP400 32GB OK
LSD16GCTBJP400 16GB OK
Lexar® Platinum II 200x
SDHC™ UHS-I Card (Class10)
LSD8GBBBJP200C10 8GB OK
Lexar® SD™/SDHC™ Card
(MULTI USE)
LSD4GBACJP 4GB OK
LSD2GBACJP 2GB OK
Panasonic SDHC (UHS-I / Class10)
R:90MB/s W:45MB/s
RP-SDUC32GJK 32GB OK
SDHC™ Card
(Class6) R:20MB/s
RP-SDLC32GJK 32GB OK
RP-SDLC16GJK 16GB OK
RP-SDLC08GJK 8GB OK
RP-SDLC04GJK 4GB OK

 


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